Asheville,
North Carolina

6:40pm,
fog rolling in,
dog finally still

she held the sit
for four seconds

Field notes 01

Pet photography — Asheville, North Carolina

Good dogs, photographed slowly.

I photograph dogs the way they actually are: on the trail, in the studio, upside down on the kitchen floor. Most of a session is waiting — for the ear to drop, for the tongue, for your dog to forget there is a camera in the room.

A dog standing still on a foggy mountain trail at dusk
frame 04 — the four seconds.

five ways
to point a
camera at
a good dog

Sessions

What we're making

Studio, trail, kitchen floor.

Five kinds of session. Every one starts with a conversation about your dog and ends with paper you can hold.

  1. 01

    Studio pet portraits

    A seamless ground, one soft light, and as long as it takes. For the dogs who hold a sit for a biscuit, and the ones who need twenty minutes to settle first.

    Studio
  2. 02

    Outdoor adventure sessions

    Ridges, creeks, switchbacks, your own back field. Your dog at a run, and the light doing the rest of the work.

    Outdoors
  3. 03

    Family-with-pet sessions

    Everyone in the frame, including the one who won't hold still. I shoot the in-between moments more than the posed ones.

    Home or trail
  4. 04

    End-of-life keepsake sessions

    Quiet and unhurried, with no pressure on anyone to perform. Made at home, in the yard, or wherever your dog is most comfortable.

    By arrangement
  5. 05

    Holiday mini-sessions

    A shorter sitting at the turn of the season — made for cards, small prints and the one frame that goes on the fridge.

    Seasonal
A young dog sitting alert in a dark studio against a charcoal backdrop
studio — one light, no rush.

patience is
the whole
method

Method

How a session runs

From the first note to a finished print.

A dog mid-stride on a wet mountain trail in early mist
the walk is the warm-up.
  1. 01

    We talk first.

    A note or a short call about your dog: what settles them, what sets them off, and what time of day they're at their best.

  2. 02

    We pick the ground.

    Seamless backdrop for the quiet, exact portraits. A trail, a creek or your own yard for the sessions that move.

  3. 03

    I wait for the real one.

    Ears down, head tilt, a shake at exactly the wrong moment. The frame I want is the one where your dog stops performing.

  4. 04

    We edit the keepers.

    A small, honest set: the frames worth printing, chosen with you.

  5. 05

    Prints, or an album.

    Chosen images go to paper — loose prints for the wall, or a bound album for the whole story.

everything
ends up
on paper

Prints

Print & album collections

Prints and albums, made to be handled.

Session images are made to be printed. This is what leaves the studio.

Papers, sizes and cover cloths are chosen with you after the session.

Size, paper and finish move the number around, so there are no prices on this page. Write to me and I'll send the current collection sheet.

Ask for the collection sheet
A dog leaning into a person on a sofa in a dim living room
printed for the hallway, not the drawer.
An older dog resting on a blanket with a hand resting gently on its head
the ones I take most carefully.

leave a note
in the margin

Booking

Sessions & collections

Tell me about your dog.

Who I'm photographing, roughly where you are, and what you're after — a session, or the prints afterwards. I answer every note myself.

Tear this off and I'll write back.

Asheville, NC & the surrounding mountains