Book illustrations, editorial art, character design, murals and prints — all drawn in one bold palette of orange and teal.
Taking inquiries for books, newsrooms, walls and print runs.
Every piece here comes out of the same two inks. Orange goes down, teal goes down, and the meeting point does the rest of the work.
Five kinds of work, all drawn the same way: bold shapes, two inks, and nothing on the page that is not doing a job.
Interiors and covers, drawn to your manuscript and built page by page so the whole book holds together as one set.
Pieces for magazines, papers and newsrooms — composed for the page and drawn to be read at a glance.
Faces, silhouettes and expressions worked from a first rough sketch up to a finished sheet you can hand to a team.
Large flat planes of color for walls, indoors and out, drawn to the space rather than dropped into it.
Illustrations printed in orange and teal, with the meeting point of the two inks left showing on the paper.
Tell me the story, the format and the deadline. Manuscripts, rough drafts and moodboards are all welcome.
A black-and-white rough comes back for you to react to. Nothing gets inked until the drawing is right.
Color goes down in two passes — orange first, teal second — and you see what happens where they cross.
Finished files for print, or the piece itself, packed flat and sent on its way.
Every piece starts as a rough drawing and ends as two flat inks. A commission is only finished when both of them are sitting right on the page.
Send the project, the format and the deadline. Tell me where the work is going and what it has to do, and you will get a straight answer back.