Plate I — The practice
Vinyasa and slow flow, restorative and yin, and a beginner series that shows you the structure first. Breath, spine, shape — in that order.
Plate II — Class styles
Nothing here is a separate discipline. The long lines, the joints, the deep tissue — same practice, different pressure. Read the chart and pick the one that matches the day you're having.
The long bone — continuous, load-bearing
Movement linked to breath, shape arriving after shape. Expect a steady count, some heat, and a sequence that asks you to keep listening rather than keep up.
The joint — where the two sides meet
The same vocabulary at half speed. Transitions get time, alignment gets felt rather than rushed, and there is room to notice which side is doing the work.
The marrow — soft, held, sustaining
Fully supported shapes held for long minutes. Bolsters, blankets and blocks take the weight; you take the breathing. Nothing to achieve, nothing to hold up.
The deep tissue — quiet and surprisingly strong
Still, floor-based holds that reach past muscle into connective tissue. Low light, long timers, and a stillness that takes a few classes to get comfortable with.
Plate III — Beginner foundations
A series for people who have never been on a mat, or who have been on one for years and would like the structure explained properly. Four movements of attention, always in this order.
Before a single shape: how to breathe so the room stops spinning. Where the breath goes, how long it lasts, and what to do when it shortens on its own.
The handful of forms everything else is built from — standing, folding, twisting, resting — learned slowly, from the ground up, with the hands free to be corrected.
Where the joints go and where they don't, and how to tell the difference in your own body instead of from a picture. This is the part that makes every later class easier.
How to come out of a practice. The last minutes are not a formality — they are where the work settles. We finish every session this way.
Very little. The studio keeps everything you might need:
Plate IV — Private sessions
One student, one teacher, one room. The session follows what your body does that day rather than what the class clock says.
Blocks, straps, blankets and bolsters are on hand, so a shape gets adjusted rather than abandoned — which is most of what a private session is for.
Time to ask about a twinge, a habit, or the shape that has never quite made sense in a full class.
Plate V — Passes & booking
Class packs and memberships are bought online and drawn down as you attend. Every pass works across vinyasa, slow flow, restorative and yin, and the live timetable carries the current class and workshop dates.
| Pass | What it is | Buy |
|---|---|---|
| Drop-in | One class, any style on the timetable — the simplest way to find the class that fits. | Book a class |
| Class pack | A set of classes to use across the schedule, at the pace you actually attend. | Buy a pack |
| Membership | Ongoing studio membership for a practice that has settled into a habit. | Join |
| Foundations series | The beginner series, reserved as a set so the group moves through it together. | Reserve a place |
| Private session | One to one, booked at a time that suits you, with props and support in the room. | Book a session |
| Props & bolsters | Mats, blocks, straps and bolsters from the studio shelf, for practice at home. | Ask about props |
Rates and current availability are shown at checkout when you reserve.
Pick the pass that matches how often you practice — a drop-in, a class pack, a membership, or the foundations series.
Book the class from the live timetable, where times, workshops and remaining places are kept current.
Everything you need is already at the studio: mats, blocks, straps, blankets and bolsters.
Plate VI — Begin
Santa Fe, New Mexico · Class packs, memberships and private sessions