Kiln Note 01
The Wednesday Night Crowd
Benches fill up, sleeves get rolled and somebody always brings something to share. The wheel hums until late, and nobody's in a hurry to leave.
Dirt, fire, and whoever shows up. That's the whole recipe.
Hearth & Grain · Savannah, Georgia
A handmade home-goods studio in Savannah: hand-thrown pottery, woven wall hangings, reclaimed wood shelves and candle holders — made slowly, in small batches, in the same room where we teach.
Every piece begins with dirt and fire, and ends up somewhere in Savannah.
Shop the Studio
Four things leave this studio: thrown pots, woven hangings, reclaimed shelves and candle holders. Every one of them is made by hand, in the yard, in small batches.
01
Mugs, bowls and vases pulled on the wheel, glazed and fired in the yard. Each one a little off-round, on purpose.
02
Old barn wood, cut, sanded and oiled by hand — for walls that need a straight line and a bit of old grain.
03
Loom-woven fiber in warm light and deep magenta, made to fill a quiet wall.
04
Little thrown forms glazed to hold a flame, finished with a raw clay foot.
Through the Fire
Clay is only the beginning. Nothing leaves the yard until it has been wedged, thrown, glazed and fired in the kiln out back.
Clay arrives rough and full of air. We work it on the bench until it's even, then set it spinning.
Hands on the wheel — pulling walls, opening rims, letting the form lean the way it wants to lean.
Glazed by hand and fired in the kiln. The colour you see is something only fire can give.
Sanded, oiled, wrapped. Then it's off to a shelf, a table or a hearth somewhere in Savannah.
Center, pull and shape your first vessel. Clay and tools provided.
Pinch, coil and slab work at the long table, no wheel required.
Build a woven hanging on a simple frame loom and take it home finished.
Throwing and trimming on a small scale, with glaze choices at the end.
The kiln is open and so are the doors. Bring a friend and watch a firing cool.
Benches are limited. Clay, tools and aprons are waiting — just bring yourself.
Reserve a BenchIn the Yard
Workshops run in the same room the work is made in — clay on the floor, tools on the wall, and the kiln humming in the corner.
Community
The best part of a kiln yard isn't the firing — it's the people who stand around waiting for it to cool.
Kiln Note 01
Benches fill up, sleeves get rolled and somebody always brings something to share. The wheel hums until late, and nobody's in a hurry to leave.
Dirt, fire, and whoever shows up. That's the whole recipe.
Kiln Note 02
Buckets open, aprons on, and the whole yard smells like iron and rain. Every surface in reach gets a stripe of magenta.
Kiln Note 03
The pieces that lean or wobble don't get thrown out. They get a shelf of their own and a story to go with it.
Kiln Note 04
The lid comes up, the heat rolls out, and everyone leans in at once. Some pieces are exactly what we planned. The rest are better.
Join the Firing Line
Notes from the studio: what's cooling on the shelves, what's going into the kiln next, and when the doors are open in Savannah.
Savannah, Georgia — a working studio, open for workshop nights and pickups.
Pottery, woven wall hangings, reclaimed wood shelves, candle holders and workshops.