Position 01
Sound Check
The quick pass. Levels set on the two things people read before they ever hear you speak.
- Resume review
- LinkedIn optimization
- A written summary of what we changed
01 — Mic check
Interview prep is a sound check. You’re not performing up there — you’re setting levels so your real voice comes through clean. Built for creators whose interview is also a brand moment, and who already know the difference between loud and clear.
Boston, MA · Online · Resume · Interview · LinkedIn · Offer
Five inputs. One room. Everything set before you walk in.
02 — The set list
Most people treat interview prep as one big performance. We treat it as a check: what’s coming in, what’s too hot, what’s buried under the mix. Run these in sequence and by the time the room fills up, you already know how you sound.
One pass, line by line, on the document that gets read before anyone meets you.
We cut what isn’t yours and put back what you actually did. You leave with a version you can read out loud without wincing.
The run-through, not the pep talk.
We take the question you dread most and work it until it’s dull — setting levels on pace, pause and the two sentences that carry the whole answer.
For the move that isn’t a straight line.
We map the version of your work that travels, so you stop explaining the gap and start describing the fit.
Your profile is the channel strip people hear before you walk in.
Headline, about and featured work, arranged so the first ten seconds do the work and the rest of the page backs it up.
The last fader, and the one most people leave at zero.
We rehearse the number, the silence that follows it, and the sentence you use when they push back.
03 — Fader positions
Start where it hurts, or start at the top and run the whole room. Every package is one-to-one coaching, built around the material you already have.
Position 01
The quick pass. Levels set on the two things people read before they ever hear you speak.
Position 02
The full run-through. Everything in Sound Check, plus the sessions where the answers actually get shaped.
Position 03
The whole room, including the money conversation most people leave for last.
Rates and session counts are set on the first call.
04 — In the room
None of these is a personality problem. Each one has a level, and levels can be set.
Sticking point 01
Rambling when the room goes quiet.
Good. We give the ramble a fader and pull it down at the chorus.
Sticking point 02
Not wanting to sound like you’re selling yourself.
You’re not selling. You’re telling the room what you can do before they have to guess.
Sticking point 03
The answer that vanishes mid-sentence.
Blank is a level problem, not a talent problem. We set the level.
Sticking point 04
Not knowing what the work is worth.
Then we start with the meter, not the mic.
Sticking point 05
A story that doesn’t match the job description.
So we stop fitting and start translating. Same story, different room.
05 — Doors
You get one sound check before the room fills up. Write in with what you’re working on and we’ll take it from there.
“Sound check isn’t the show. It’s the reason the show lands.”